I wrote an article for my friends at News Decoder about the age-old balance between security and freedom, and how the increasingly dictatorial Nayib Bukele in El Salvador should be a cautionary tale, not an inspiration, for his admirers in the United States.
Borderlands, in many cultures, can be places of transformation — and danger. You might find a new life. You might simply vanish. You might die. That’s rarely been truer than for people trying to reach and cross the U.S. border from the south right now.
Here’s an article I wrote about migration and America for News Decoder.
Here’s an article I wrote recently about cycles of generational violence and trauma for my good friends at News Decoder. It’s about El Salvador, where I worked in the early 1990s, but it could be about many other places too. Repression and violence breed future trauma, and where trauma is unresolved there is no lasting peace.
FMLN guerrillas in El Salvador, 1991. Photograph by Martin Langfield
I wrote a piece on Latin America’s protests in late 2019 – and why they matter, especially to young people – for my good friends at News-Decoder. Here’s a link! I think it stands up quite well still.
Photo by Martin Langfield, Chihuahua, Mexico, 1986.
My former mothership Reuters has announced the expansion of its award-winning e-learning course on helping newsrooms around the world spot deepfakes and manipulated media in 12 additional languages.
This is an excellent resource, instructive for anyone interested in learning how to spot real fakery and manipulation.
Shocking, I know, but here are 14 sensible recommendations for the upcoming U.S. elections and an executive summary that will take maybe two minutes to read. What are some other exciting words? Pragmatic. Non-inflammatory. Feasible. Worth a read.
This is the original clean version of my soundscape “Soldier’s Heart,” recorded April 27, 2019.
“Soldier’s heart” is a 19th-century term, used during the American Civil War, for what was later called “shell shock” or “combat fatigue,” nowadays known as post-traumatic stress syndrome.
Alongside my writing, I’ve been experimenting with soundscapes based on time distortions of improvised drum patterns. I am interested in possible connections between soundscapes, which I believe can slow the mind into contemplative states, and mental health. I firmly believe in the power of art of all kinds to transform negative experience into positive, to challenge preconceptions and to jolt the mind into a more open, healthier (if often initially disconcerting) place.